 A panorama is a good example of when a crop is needed. If a panoramic camera isn't available then you will either need to crop your single frame or stitch together frames then fine tune the crop, in both cases cropping will be necessary.  Cropping for strong verticals. Do I crop my photos? That's a question I get from time to time and one that I‘m always surprised by. For me cropping is one of the most elemental tools for creating a photograph. I see it as just another tool in the process to make the best image I can. I’m not sure where the idea of not cropping came from and why anyone would see not cropping an image as some sort of sacred aspect of photography. That’s like saying there is something holy about the aspect ratio of a camera, the problem is there are a number of different aspect ratios, depending on what camera you happen to be using. What’s it going to be 6x17, 6x12, square or something in between? What happens if the scene or subject you come across requires an aspect ratio different than what you happen to have with you.? Not cropping is giving more importance too the box than the image it contains. I liken the no cropping mantra to someone saying they don’t process their photos. I hate to break it to them but all images are processed to one extent or another. If you shoot a digital camera the images are meant to be processed, whether it is a RAW file or a JPEG. The RAW file is meant to be processed, you start with all the information that was captured in a file then you must decide what information you want to keep when using a raw converter. Even if you shoot a JPEG the photo is being processed, it’s just being processed by the computer in the camera by the parameters you have set before taking the photo. Cropping is just another step in processing the image for the best possible photograph.  A square format was made by cropping a 3:2 aspect ratio, 35mm frame to remove anything that would distract from the subject. One of the first things I learned when starting my first job as a staff photographer for a newspaper, was how important cropping was to fine tuning an image. Things happen fast in journalism, so precise composition can at times be less a priority. Sometimes it’s not until you’ve got the image into your processing workflow that you have time to fine tune the composition to get the most out of that photo.
The great thing about working as a photographer in the publishing media of newspapers, was I could crop my photos too any aspect ratio that I felt the image would look best, and my editors would just work around what I gave them. In fact, they seemed to relish in the challenge of finding ways to layout a page with some pretty extreme vertical or strong panoramas for their pages. I’m sure not all photographers are afforded the same creative freedoms that I was given, it was an advantage to both myself and the editors, they won a fair amount of page design awards. I imagine if we would have stuck with everything being the 3:2 aspect ratio of our 35mm cameras, that wouldn’t have been the case.  Cropping was needed to put the dark area of birds in the middle and remove distracting elements at the bottom of the frame.  Why wouldn’t you crop an image? The answer is very simple, the photo doesn’t need it, it was composed and fit well with in the cameras aspect ratio, that happens a lot in my photography but there are times when the box I’m trying to fit the image is just not working for the subject. A panorama, a square and everything in between maybe needed. Is there a downside to cropping? When starting out in photography it didn’t take long to figure out that cropping to much would degrade my final photo, cropping to much simply reduces the information you have to work with and how much image degradation varies widely depending on camera format, film size or pixel count you are starting with. So yes, I crop my photos when it is needed, and you should too.
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The Story Behind the Photo is a new feature on the Riding The Edge Photography website, click on the audio file below the image to hear the story of how the image was made and some photography lessons learned while making each image. This series will have its own page on the Riding The Edge Photography website so Check back for new additions to this The Story Behind The Photo series. www.ridingtheedgephotography.com/story-behind-the-photo.html In this first Story Behind the Photo I'm telling how I made the image Farm Life - A photo made while on assignment for the Albany Democrat-Herald.  In this Riding The Edge Vlog I tell the origins story of why my Youtube channel and website are named Riding The Edge Photography, from news photographer to landscape photographer, this is my story so come along for the ride. In this episode of Riding The Edge, I photograph another covered bridge on black and white film using a large format camera for my Covered Bridges of Oregon project and while I'm at it I talk about spot meter vs incident meter for film photography. youtu.be/IA3HGZeVJE4
In this episode of Riding The Edge I'm heading to the William L. Finley Wildlife Refuge in the Willamette Valley, Oregon, with a new direction for my photography, a 4x5 film camera, some T-Max 100 and a new lens for some black and white landscape photography. |
Welcome to the Riding The Edge Blog, here you will find posts from black and white landscape/nature photographer David Patton, on photography topics and the latest news from Riding The Edge Photography.
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